In the Effect Controls Window, at the top of the filter, twirl open the Source Setup group and set the Source Layer to use the imported media asset.Apply the BCC Reframer filter to the new solid layer.Add a new solid layer to the comp which matches the final composition/sequence dimensions.Start by importing the vertical media asset (iPhone shot) into the project and move this into the timeline of the composition that you’re working with – disable the view of this shot by clicking on the eyeball for this clip in the timeline.Use the Crop Source Width to crop out the black background that surrounds the clip after it was imported into Media Composerīasic Setup in Adobe After Effects / Premiere Pro**:**.If the image is rotated horizontally, use the Interpret Source pop-up to rotate the image so that it is vertical.In the Effect Editor panel, twirl open the Source Setup group.Apply the BCC Reframer filter directly to the imported clip in the sequence. ![]() Start by importing the vertical media asset (iPhone shot) into the project and cut this into the timeline of the sequence that you’re working with.Tip: if you are importing multiple shots from the same source format you can greatly simplify the process by saving a BCC preset with the desired initial setup to use as a quick starting point. Once the basic setup is complete, the various refinement options in Part 2 are the same for all hosts. Please note that the initial setup of Reframer is slightly different between the Avid Media Composer, Adobe After Effects / Premiere Pro, and DaVinci Resolve hosts. Here’s a quick tutorial on how to use the filter in various hosts followed by a brief description of the available controls and options. BCC Reframer offers the same advanced resampling algorithms as UpRez, but compensation for differing pixel aspect ratios will be done by the host in a separate pass. BCC Uprez is appropriate when the primary concern is achieving the highest possible upscaling quality, as opposed to ease of use or edge style options, since the UpRez workflow guarantees that all processing happens in a single pass, even when the pixel aspect ratios of the source and destination do not match. BCC Reframer also tends to be easier to configure and is great for quickly converting large numbers of SD clips into HD/UHD formats or HD to UHD. BCC Reframer is the best choice when embedding vertical footage into horizontal frames since it has much more extensive control over the framing and over the various methods for filling/padding the edge regions. Upscaling from HD to UHD (even when frame aspects match) with advanced upscaling algorithms for maximum quality and control over the upscaling process.īCC Reframer vs BCC UpRez: Note that BCC Reframer and BCC UpRez have partially overlapping features in that both can be used to convert SD to HD / UHD formats or HD to UHD (as examples).Converting 4:3 SD sources into 16:9 HD or UHD frames with advanced upscaling algorithms and extensive control over framing and edge padding.Inserting vertical cell phone footage that was sourced, for example, on an iPhone into an HD/UHD format sequence with extensive control over framing and edge padding.Typical applications of this filter include: Selecting a region changes the language and/or content on BCC Reframer filter was designed to ease the work of integrating video that was shot in portrait format into a landscape video frame, incorporating SD footage into HD/UHD frames, or ensuring maximum image quality when converting HD to UHD. After uploading your footage to the project and finding what you want to flip, follow these steps: ![]() With Vertical Flip, the video appears upside down. ![]() With Horizontal Flip, you create a mirror image of the original clip - what’s on the left now appears on the right. Use the Horizontal Flip or Vertical Flip effects in Adobe Premiere Pro, which is compatible with nearly every low- or high-definition video file format, including FLV, MOV, WMV, and MP4 files. (Maintaining eye trace is the third rule of video editing.) In many cases, you can salvage the shot, and keep the flow consistent, by flipping the video clip. ![]() If, for example, your subjects move left to right in one shot, cutting next to a shot of them moving right to left can throw off the viewer’s eye trace, or ability to track the action. Whether you’re editing a professional video shot with an HD video camera or a vacation movie shot with a camcorder or iPhone, you don’t want your cuts to disorient the viewer. Flipping a video describes the creation of a mirror image of the original footage.
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